Showing posts with label dirt. Show all posts
Showing posts with label dirt. Show all posts

Thursday, October 7, 2010

Dans Tes Bras

I've been sniffing this one on occasion for, oh, say, a year and a half.

The two times previous to this one, I was all "hunh, it's another kind of somewhat powdery violet, really."  Which was a relief of a synthesis, because for a year I'd been waiting to smell these nearly rank mushrooms, thanks to the early word.  And, truth be told, when I finally had my "it's this simple" little epiphany, I also found the mushroom.  It was the effect of violet + something that comes out as it goes into stage 2.  Still figuring that one out, but for me at least, the mushroom "aha!" was all about the collective effect of the notes together, not a spot where one can dig and find a mushroom.

Yesterday, something new happened.  I'm going to try it again, to see if it happens again.  But all at once, I saw/sniffed the following:

Take one
and go bury it in some moderately rich soil.

Watch these sprout from the planting spot
but don't huff quite yet.  Wait until fall, when the roots have become established, and the plant is now fully established.

Now yank it out entire from the ground, and shake off most, but not all, of the dirt.  Sniff, but from the root end, not at the flowers.

Voila!  Dans tes Bras, my nose, early October 2010.

I had the best time with it ever.  There was promise in the not-quite-that-simple powdery violet opening, which revealed the reward of earthy foliage twiggy-ness, all cushioned in comfort softness.  

I want to go back.  I want.  I want even though the third act is, well, a bit of a drop off.  I'm going to drain my small portion, but right now, even as I remain uncertain of the finale, I'm ready to skip the larger decant stage and go straight to full bottle.

Which is partly intellectual--I like supporting Malle's project (as if my occasional relatively paltry investments count as "support"), but mostly emotional/pleasure based.  I want to go there, into that spot of mostly composted dirt where someone unearthed this strange new plant, wrapped in a cashmere blanket and ready to tuck in for a while.

When I wake up, I'll put the plant back in the ground, so I can come back for more next season.

Please take a moment to enter a theory on Ondee On Ice, if you are inclined and have not done so already.  You can play "Clue" style, if you like...either suspect, or accuse....


images:
Blue Violet taken by Scott Schwenk, viewable at the Hubbard Brook Project
L'Heure Bleue bottle from Octavian's 1000 Fragrances blog, in a post titled "L'Heure Bleue, Fol Arome, Pois de Senteur" 

Thursday, July 22, 2010

Where am I?

Rain is rain.

A simple concept...a cliche...the sun shines everywhere on the globe...day turns to night turns to day...rain falls from the sky.

Yet, somehow, due to my romantic? gullible? narrow? mind, when rain fell the other day, it was a fell whomp of familiar and Oh! and I am in Pareeee all at once.

Why should the rain do this?  Why not the sound of the children's voices in the courtyard?  Perhaps because the "foreign" language suggests distance.  Why not the sound of a door closing?  Honestly, the sound of a door closing tends to be different.  Different mechanisms, different doors...and then there is the ubiquitous process of needing to press a button before passing through a portal...so, no, door entry/exit not profoundly universal.  Why not the sun upon my face?  Um, that *is* different...a more northerly parallel stretches the "magic hour" beautifully, and even if I didn't have a filmmaking background, I'd be struck by the quality of light.  Why not the huff of perfume on my wrist?  Dare I point back to how my Poussiere de Rose seemed to smell different?  No?  How about I stick to my one shop experience so far, where my limited language skills were most vexing.  NOT universal, not for me.

But the rain.  The rain, it grounded me, and seemed like something new, all at once.

It was gentle, just beyond a drizzle, and didn't last for long.  Didn't really do much to alter the pleasant but clearly summer temperature, either.  It did alter the light, it did act both as a soundtrack and sound damper, and it entirely brought a new focus to my senses.  I was in Paris.  It is raining.  I am on someone else's fifth floor terrace.  I am among someone else's plants.  I am among plants.  I am outside, in the rain.  All the ways in which I was alien and familiar burbled and then settled at once.

I mentioned magic hour to some friends, and one asked if I was wearing L'Heure Bleu.  Entirely logical. It does not happen to be one of bitty decants I brought, so no, I was not.  And I wasn't even sure if I wanted to...I knew that if I had, if I do, L'HB will forever in the future be strongly Paris.  And I love so much what it is to me now, I don't know if I can give that up.  Maybe I'll run into a Guerlain shop toward the end of my stay, and spray some.  For now, I have the rain as my bridge between what I know and what I don't know, locating all in one moment.

***
Other such connections, not quite as "vortex of all experience in one":

Household dirt.  I spent some time cleaning the charming apartment we are using for our stay.  "Surface dirt," as my mom would have said.  Vacuum the floors, dust/clean flat surfaces.  Okay, and wipe down the tile walls on the bathroom.  All of which yielded results which were sufficient enough to veer beyond "satisfactory" into "um, I'm really glad I did this."  And why was this so important to me?  I don't know. Yes, I do.  I am not fond of surface dirt.  I'll tolerate it in my house, of course...just try to stay ahead of the dust bunnies and dirt in a house with gas forced air heat and two cats and one dog and lots of books and teens galumphing through and a gardener trudging in and out.  It's almost as if there is something personal about dirt...would I rather share a home with my own dirt?  Hmmm.  And, lest you mistakenly get the impression I am staying in a place en désespoir, the linens in the closets are all ironed.  ALL of them.  And everything is in its place, and there is a lovely amount of "stuff" (books, art, etc.)--which I love having about--without having so much that it starts to feel "noisy" or overwhelming.  Nope, it was more the feeling of...somebody else not having a chance to attend to that element, and then handing over the key.

Anyway, why do I bring it up?  Because, honest to Pete, the dirt was...different.  A different dirt to dust to grease ratio, which could have everything to do with this being a more urban environment than I usually clean in, combined with no screens on the windows, plus the proximity of the kitchen (and cooking issues) to the rest.  Scientifically, I remain skeptical.  In my heart, I know that stuff I was wiping off the walls was blacker and "threadier" than what I clean off my own house.

When I do, that is.

**
The walkability of this city is awesome.  Really.  I am still a little puzzled by the street layout, which I shouldn't be, because there is a certain logic in the radiation of the boulevards and such.  Heck, I grew up in a city whose grid was laid out by L'Enfant.  It's just...well...for one, the lack of a hard edge.  Where I grew up, the river was a hard edge, because it was an international boundary; where I live, the lake is a hard edge, because, well, it's big; in New York and San Francisco and Seattle, other cities I've gotten to know and love, water gives a hard edge.  Here, the Seine flows through, and physically speaking, you can flow back and forth...though yes, I am full aware of the cultural distinction between Left and Right bank.  Which are south and north, incidentally.  Which perhaps is the second factor in my confusion.  Really?   Where I come from, we have these east-west lines, too.  Mason-Dixon line, Michigan-Ohio, North Dakota South Dakota.  But left-right is for things like the Continental Divide, the Mississippi, East Side West Side.  Things that are left, or right, according to true north.

And it's hillier than I expected.  Well, roll-y.  Well, something in between.  European street proportions, combined with the necessary sharp angles on street intersections because they were carved to fit contours.  I dare say this out loud, though somehow I suspect there is a Great Work of Literature that is absent from my reading that one of you will point out and say "Hey, graduate student of Literature, how the heck could you not know that?  Haven't you read X?"  That, or some basic piece of history that shows how Napoleon had to run uphill three ways when he came home to smell Josephine which should have suggested to me the contours of the city.  But no, I didn't have it in my pre-impressions.

*
The best smell so far?  Food smells have been great, of course.  But I have to say, my favorite to date has been stumbling upon that rose plant outside the fleuriste, followed by the unmistakable smell of old books and dusty wood in a used book stall inside a charming arcade by the Bibliothéque Nationale.  Making the scent of those few blocks a floral with an unusual but pleasant drydown.

Friday, April 16, 2010

Scents that sing "spring"...

So, here's the image that all of the participants in today's joint blog project were given for today's post:

Julie Andrews dancing in a field of mountain wildflowers.  An iconic moment of visceral bliss.  Puts a smile on your face, right?  Welcome. Glad you stopped by.  Take another sip of your current beverage.  And then step into my spring, and how it sings.


Here is the image I was ready to go with when the concept of "spring" came to mind:


To me, spring--as those of you who stop by on a regular basis know--is all about things rumbling in the dirt, a stirring to life, a difficult and messy and beautiful process that is all about energy bumping heads with rest and bringing color and smells back into the world.  Worms squirming around in the dirt are all about that.  They turn and aerate the soil, fertilizing it along the way.  They wriggle out of the soil when it rains, providing yet another reminder that the snow is gone and a new season has begun.  They provide a sort of endless fascination for kids and grownups, who might be entranced or repulsed but are somehow always compelled to take a look.  They move under the soil and attract the attention of the returned birds, who cock their heads sideways and give a little "knock, knock" to the ground to get the worms to come to the surface, then yank them up like some sort of stop-action spaghetti slurping.

Worms.  Dirt.  That's just the start of it.


 Things start pushing up out of the ground.  Green emerges from muck, even as the detritus of the last cycle of life continues to litter (and eventually nourish) the ground.  Fresh energy, alongside stasis.  From a bland landscape of hard frozen texture and monotonous color, rumblings begin.

I love this moment, when you can be like a forest creature and put your nose up to the air and start smelling changes in the air.  Even the breeze smells and feels different.  It could be a misty grey day, or it could be one of those suddenly brilliant sunny days when you are reminded that the sun can actually cast a warm light, and not just the sharp white light of winter.

Once you get enough of that light, changes come.








Early life pops out, and you can feel things starting to hum with potential energy.  









It is this crazy conflagration of clinging chill and insistent warmth, of final rest and yawping birth, of messy sludge and impossible blooms, that sings spring to me.  It is difficult, it is easy.  You can jump in and be part of it, or you can passively observe.  But it's gonna happen--a proposition that seems questionable in the early going, but eventually becomes undeniable.

☃  ☁ ☀ ☼ ☺
What fragrances help sing this process?  Ones that either echo the whole big mess, or that pull out elements of the orchestration.

An example of the whole orchestration:  Niki Saint Phalle.  It's all in there, the dirt, the herbal bitterness, the lift, the knowing that if you stick it through, you'll have a drydown that is "interesting" if you come in at the end, but absolutely beautiful if you went through the pain of its development.

Examples of elements of the orchestration:  The easy entry here is Diorissimo.  Lily of the Valley hasn't arrived here yet; that is a note that sings toward the end of the spring symphony.  But it is powerful, and so uniquely recognizable that its call has entranced many a wearer.  The wink-wink nod-nod entry is CBIHP Black March, because it sounds the note of dirt.  If I'm in a picky mood, I point out that in my nose it is the smell of potting soil, and not of humus rich earth dirt.  But I'm okay with that.  I like hearing this particular voice, which coincides with the gardener's activity of starting seeds and potting up outdoor plants.

Then there are the Impressionist versions of the symphony, which capture the mood, the experience, even suggestions of particular voices, without being so direct.  This year, Temps d'une Fete has been getting a lot of chatter.  And deservedly so.  When I found this last spring, I found myself wanting to twirl around like Julie Andrews up there.  Oh, green goodness that knows how to balance a sweet floral lift and a raspy sort of something that makes sure the potion isn't cloying going down.

In this spirit, I offer you a down and dirty (could there be any other?) short list of scents that sing spring.  Please share what's not here that you'd add, or how you'd change things around.  I might come back and mess with it myself.

Isolated voices/notes
Diorissimo
Coty Muguet
Bel Respiro
AA Herba Fresca
Black March
Wild Hunt
Violets & Rainwater (Liz Zorn)
Fleur de Narcisse

Orchestration
Silences
Niki Saint Phalle
No. 19
Grin (Ayala Moriel)
Bois Blond  --note: this is a shorter piece, played by chamber orchestra

Impressionist 
Le Temps d'une Fete
Chamade
Green Oakmoss (Liz Zorn)
Un Matin d'Orage

Happy spring, everybody.  Thanks for spending a little of it here.

Now that you are done, you might like to set a spell with the other bloggers participating in today's project.  They are:

Katie Puckrik Smells  |  Perfume Shrine  |  The Non Blonde  |  I Smell Therefore I Am  |  Notes from the Ledge  |  Scent Hive  |  Savvy Thinker  |  Roxana's Illuminated Journal  |  Perfume in Progress  |  All I Am A Redhead  |  Ambre Gris  |  Olfactarama  |  A Rose Beyond the Thames  |  Smelly Blog 

first image a still from The Sound of Music; second image from the Input to the Garden blog; all other images the author's own

Sunday, May 10, 2009

Dirt and Mothering

Mothers know a lot about dirt.

Dirt that needs a bath.  Dirt that needs laundry.  Dirt that the dog brought in.  Dirt that one neighbor tries to offer about another.  Dirt that just won't get out from under the fingernails.  Dirt that gathers into an astonishing mega dust bunny within 24 hours of a vacuuming.

(Hmmm...maybe that's more than 24 hours...but boy, those "bunnies" sure can grow to impressive diameter.)

Anyway, I happen to be a fan of dirt.  Because I'm a gardener.  I like the way dirt smells.  Humus, quality loam, potting soil...I love it all.  I'm a fan of the right dollop of dirt in certain perfumes, too.  Of course, there are variations on what "dirt" means to different sniffers.  Today, since I am chomping at the bit and go out and dig in my own little patch of green, I'm going to offer up a couple of recent favorite scents with "real" dirt inside.

CB I Hate Perfume Wild Hunt   Yum, yum...and not in a gourmand way.  Not at all.  This is violets on the forest floor, remembering there is green about you, and you get to go for a ride and continue deeper into the woods and stop and smell the humus.  The smell takes you up above the ground to discover the violets (which waft a bit in the air), and then drops you down on the ground again, then mixes them around.  Nice.

Ayala Moriel Rainforest  Okay here's a brand new one to my sniffer, and I am infatuated.  Brings together a couple of passions of mine, galbanum and dirt, on either end of a really fun deep dark dense evolution from one to the other.  Oh, lawsy, where Wild Hunt lets you linger a few feet above the ground on the waft of violets, Rainforest insists you stick with the leaves and the needles and the ground and remember that this growing thing is vegetal, baby.  Ayala calls it a "coniferous chypre," and I can see why.  Vaguely resiny, definitely the green of a mixed forest.  Remember, rainforests don't just exist in tropical zones...you can also meander through a rainforest near the 45th parallel on the Pacific coast.  You won't find piranhas, but should be prepared to encounter socks with Birkenstocks. 

I'm heading out to dig, which has become a traditional Mother's Day gift to me:  protected time in the garden, with ready labor as requested.

Happy Mother's day to all who mother, and all who are remembering their mothers.